In the world’s largest refugee camp in Cox’s Bazar, Bangladesh, children and youth are using art to express themselves, preserve their culture, and imagine a future beyond displacement. With limited resources but strong determination, young Rohingya artists are transforming pencils, paper, and paint into tools of hope.

In the crowded and dusty Rohingya refugee camps, children use whatever they can find to survive and play. A simple medicine bag becomes a playing headscarf, and a heavy cart used for food supplies becomes a toy. For thousands of children living away from their homes, life is a mix of playing and working like adults.

This essay seeks to document the political genealogy of Rohingya women, engaging with the oral histories and legal testimonies they have bravely placed on the public record. It aims to amplify the strategies of resilience developed by the women themselves, from the parliamentarians of the 1950s to the survivor-advocates of today.

Trading Survival: Micro-Businesses in the Rohingya Camps

Enayet Khan and the Rohingya Art Movement: Drawing Memory, Training a Future Generation

The fire at Camp 24 was not unexpected. Its timing, rapid spread, and devastating path followed a pattern established over years of displace

Today, the Rohingya community faces a major challenge. Because of funding cuts, there is

A photo-essay curated by Ayub Khan This photo-essay focuses on children — the most vulnerable yet most hopeful members of our community....

The Rohingya crisis has become one of the most disheartening and complex issues. The Rohingya ethnic minority group consists of...

Captured the moment of cultural resilience and nurturing the tradition; we are delighted to announce the three winners of February. The...

Sahat Zia Hero is a multifaceted talent—a photographer, writer, and human rights activist.

We are honoured to announce the first three winners of our Social Media Photo Contest for January 2024.