How can photography help a community document its history, explore human rights and represent itself with dignity? Over 30 weeks, Rohingya participants explored these questions through photography, art, research and collaborative storytelling. Discover how Human Rights & Human Wrongs connected learning with lived experience, strengthened creative skills and encouraged a new generation of Rohingya storytellers to document their community, preserve cultural memory and share the

A Rohingya mother sits inside her bamboo shelter with her three young children. The family is surrounded by woven bamboo walls and plastic sheeting, illustrating the cramped and precarious conditions of their home in a refugee camp in Bangladesh.

Hanna Ji is a designer and recent graduate of the Master of Design in Communication Design programme at the University of Arkansas. In 2025, she travelled to Cox's Bazar as part of her thesis research, collaborating with Rohingyatographer, the Refugee and Migration Lab (RML), and the Rohingya Arts Club to facilitate creative storytelling workshops with Rohingya adolescent girls. Her research explores how participatory design and storytelling can support education, self-expres

Report by Ayub Khan DKL People crowded inside the larger boat used by traffickers during the journey toward Malaysia. Women faces are blurred and photographer's name is withheld for security. "I saw people drowning. Some were swimming and floating. I saw Romida drowning with her children, holding the kids," Omar said. He survived the recent boat sinking near the Thai Malaysia border. Omar's family paid 3.5 lakhs (USD $3,000) to the traffickers on October 21. He left the camp

In the heart of the Rohingya refugee camps in Bangladesh, a quiet tradition endures: bamboo cradles gently swinging beneath bamboo roofs.